The London backgrounds, in Bloomsbury and Marylebone, against which these people went to and fro, took on, by reason of their gray facades, their implacably respectable windows and window-blinds, their reiterated unmeaning iron railings, a stronger and stronger suggestion of the flavor of her father at his most obdurate phase, and of all that she felt herself fighting against. I did not care—no woman really cares—to play the beggar maid to your King Cophetua. My concept of the reluctant vampire sprung from a rabid obsession with medieval history, especially the pre-Renaissance era of the Black Plague.
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