Here was Ruth Enschede—sick of love! Love—something the world would always keep hidden from her, at least human love. She ought to have been disposed to faint and scream at all these happenings; she ought to have maintained a front of outraged dignity to veil the sinking of her heart. That would be him. The program was to include a Bach cantata, her favorite piece from Rimsky-Korsakov’s Scheherazade, and for the first time ever, a student composition, a Concerto, by a precociously talented fellow student named Martin Chen. “Well?” “I don’t care a rap for all these things.
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