” “And what are you doing here?” the lady asked. Then suddenly he seized a new preparation bottle that stood upon his table and contained the better part of a week’s work—a displayed dissection of a snail, beautifully done—and hurled it across the room, to smash resoundingly upon the cemented floor under the bookcase; then, without either haste or pause, he swept his arm along a shelf of re-agents and sent them to mingle with the debris on the floor. The door into the passage offered itself with an irresistible invitation—the one alternative to a public, inexplicable passion of weeping.
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