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The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. “Oh, you know,” she said. Everything, Miss Miniver said, was “working up,” everything was “coming on”—the Higher Thought, the Simple Life, Socialism, Humanitarianism, it was all the same really. So, after the dinner was over, Spurlock took her home; and worked far into the night. The night was now profoundly dark. "The manager says there is still some doubt.
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