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He went over his interview with her again, their conversation at dinner-time. " "Mrs. Ain't he, Madam?'" "He is, indeed," replied the widow, fervently; "more—much more than that. ‘En effet, it is for this that I was enquiring of this man if he has pen and paper. Here was a hole as wide as a church-door. Hark ye, Blueskin," continued he, addressing that personage, who, in obedience to his commands, had, with great promptitude, driven out the rabble, and again secured the door, "a word in your ear. But there was a face pressed to the glass. There’s nothing happened at all!” She didn’t mean, he concluded, to give him any more trouble ever, and he was free to begin a fresh chromatic novel—he had just finished the Blue Lagoon, which he thought very beautiful and tender and absolutely irrelevant to Morningside Park—or work in peace at his microtome without bothering about her in the least. ~THE END~ [Illustration: Distinctive Pictures Photoplay The Ragged Edge MIMI PALMERI AS RUTH ENSCHEDE ALFRED LUNT AS HOWARD SPURLOCK] [Illustration: Distinctive Pictures Photoplay The Ragged Edge A SCENE FROM THE PHOTOPLAY] [Illustration: Distinctive Pictures Photoplay The Ragged Edge A SCENE FROM THE PHOTOPLAY] [Illustration: Distinctive Pictures Photoplay The Ragged Edge A SCENE FROM THE PHOTOPLAY] End of the Project Gutenberg EBook of The Ragged Edge, by Harold MacGrath *** END OF THIS PROJECT GUTENBERG EBOOK THE RAGGED EDGE *** ***** This file should be named 15614-8. “But that’s quite different,” replied Anna.
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