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"Look at these fetters," returned Thames, holding up his manacled wrists; "they were put on by my uncle's command. I was sorry for what I did afterwards; for, I don't know why, but, poor, lady! with her pale face, and black eyes, she reminded me of my mother. ‘But I don’t trust you an inch. My Mom’s stomach has a lot of bad scars that make it look all ropy and weird. You simply can't get good oil down there, so I must husband the few drams I carry. The grim mockery of it!—those South Sea loafers, taking advantage of Enschede's Christianity and imposing upon him, accepting his money and medicines and laughing behind his back! No doubt they made the name a byword and a subject for ribald jest in the waterfront bars. ‘I thought, you see, that we might as well enter by the same way our intruder had done. “It was your own fault,” she exclaimed. To-morrow they will know the truth. Wood turned to look at him. ’ Mrs Prudence Sindlesham, a widow of several years’ standing, so she told Gerald, was a scarecrow of a female, long and lank of limb in a figure that had once been willowy. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. ‘You talk together of me as if I am not there.

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